There’s nothing like growing up in Brixton. Brixton has always been a very vibrant, very unique place.
I go by the name of Sutara now, Sutara Gayle, but my original name is Lorna, Lorna G, Lorna Gayle.
I was born off Acre Lane, born in a house off Seneca Road. You know, I grew up around here – my parents are Jamaican – grew up in a Jamaican family and aunts and uncles and the hustle and bustle of beautiful, rich, colourful life.
Being in a neighbourhood like Brixton, where we as the second generation are growing up – we’re learning our own things, and we’re getting on with our lives and picking up different experiences along the way, too. So mixing them together. It was very, very rich, very rich indeed.
For me, quite early on in my teenage years, I found out about the blues dance. So I used to rave with my friends at that time in the early 80s. And we had the Front Line down on Railton Road, which is a place that I loved to go and just see – it was like a whole different life.
Patois – performance
Home life was church; my mum was a very strict Seventh-day Adventist. So from Friday, sunset, there was not much you could do – very, very restrictive. And for me, that was the raving times. I was like, oh, that was a bit of a conflict girl.
What I used to see on the Front Line, with these guys and these women just looking so beautiful, their jewellery and their clothes just so sharp, and, you know, and their wigs and everything. And then the guys were just oh, suited and booted with their fancy cars. And I just thought, yeah, I want to be a part of that.
You know, there was a time where I used to just kind of watch the guys on a mic. And I – that was another thing. I was like, oh, yeah, I want to do that; I can do that.
I started to listen to the deejays in Jamaica, you know, Josey Wales, Brigadier Jerry, all them, and Charlie Chaplin, them and… and then I just started writing some lyrics. And then I felt ready, prepared, to go a mic and I started going on a mic. And that’s how it all started for me. That’s how the whole business, music business started for me.
Patois – performance
And then that’s how I made my first record. And then my second record was a track called Gotta Find A Way, which was my biggest tune that I’ve made to date.
And it was just about the struggles, you know, the struggles growing up, the – you know, the identity, the being told what to do. Around that time, there was the sus laws, and I remember, because I was out on the street a lot, I saw a lot. And a lot of what I saw was police brutality.
I myself had experiences with police, getting involved in just petty crime and I remember how they used to talk to us. Like we were a piece of dirt. I remember it so, so clearly. So it was hard for us to have respect for them. The racism was just blatant. It wasn’t undercover like now it was out there, the National Front used to come outside of my school, Stockwell Manor, and give out leaflets and everything, and nobody said anything to them.
We always had to fight. There was no smooth sailing. To be able to learn how we wanted to learn, learn how we were capable of learning, fight to be seen, to be heard. And this is why I think I found solace in the street people. They had a freeness about them.
Around the time when my sister Cherry got shot – it was like, she got shot September 1985 – spirits were rising. There was a lot of unjust, there was a lot of unemployed, we had the 81 uprising so people just wanted to be seen and wanted to be heard, and just wanted to be, things to be fair. And so when this happened with my sister I think it just ticked everybody. It just ticked it over, because here was an innocent woman, was never known to the police. They bust in to her house, you know, kick down her door with their dogs, saw this woman and shot before asking any questions.
I mean, everything about this was completely brutal. They had so many reasons not to do this – why not to go into this house. They knew that there was a woman there living with children, young children. But they decided that this is what they wanted to do, and this is what they’ve done.
So within no time whatsoever, the crowd gathered. People just heard, and people just came out to support and show their complete outrage. That’s how the second uprising happened.
But I think people just so angry, and I don’t know what I would have done if I saw that police who shot my sister at that time on that day. I couldn’t say what I would have done.
We was protesting, we was marching and I remember being on Railton Road. And on either side of the road, there was two cars on fire. We were trying to get through this fire because the only way we could have gone, and police are behind us, trying to – just running, people are running. It was complete mayhem. So we’re trying to get through this place now to get to the other side.
And all of a sudden, I felt a force that I’ve never felt in my life. And that force, it was the firemen. They put that hose onto me, well to a group of us. And I was literally pinned to a shop window. It took me, it actually got me off my feet. It actually got me off my feet. Ohhh.
There was a couple of people just like laid out. It took us a while to actually revive ourselves. Oh, boy. Yeah. Yeah.
It was just one experience that I’ve encountered on this on the streets of Brixton, you know, and I have no regrets. I marched ’81 and I marched in ’85. And each time we marched, there have been some changes. Very, very small or very, very minute. But there have been changes – I’ve seen them.
And so for that reason, I have no regrets of, of what we had to go through. And I understand what the younger generation now has had to go through.
So they need a reshuffle of the police force. There’s good and bad in everything and everyone, you understand, but there’s some bad apples in those and those bad apples allowed to continue for many, many, many years. There needs to be some kind of real change.
Treat all nations equally. That’s all, because I’m sure that’s what God intended.